ROMA AND FLAMENCO: MYTH AND REALITY
By Ronald Lee
© Ronald Lee, 2003, all rights reserved
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Much has been written about Flamenco music and what contribution the Roma have made to its development and continuity. In the past, many authorities whose knowledge of Romani history and that of Spain was peripheral have stated that Flamenco is a mixture of various elements, Spanish, Moorish, Jewish and Romani and that Flamenco evolved through a mixing of these musical traditions over a long period of time. When examined in the light of recorded history, this theory seems to be total mythology as far as the Roma are concerned.
To begin with, the Roma (1) only arrived in Andalusia towards the end of the Moorish period. The first documented record of the appearance of Roma in Spain is a passage of safe conduct issued by Alphonso V of Aragón in 1425 in the city of Zaragoza to a certain Tomás, Count of Little Egypt. The often expounded theory that the Roma reached Spain by way of North Africa is popular mythology that can easily be refuted by the large number of Slavic loan words to be found in the Caló dialect of Romani such as pusca (firearm), beringa (chain), olicha (street) and silno (strong). These and many more Slavic loan words, plus Greek and Rumanian borrowings are the same as in other European-Romani dialects and prove that the Calés of Spain reached Spain by the same route as the European Roma reached the rest of central, eastern and western Europe. The first record of Roma in Andalusia, the home of Flamenco, is dated 1462 when two other Counts of Little Egypt were invited to dine at the palace of Constable Miguel Lucas de Irizano along with the rest of their troupe of over one hundred people and to be his guests for two weeks. Another Romani leader, Count James and his wife Countess Louisa, are recorded as visiting Andújar, in Andalusia in 1470 (2). The last Moorish stronghold in Spain, the City of Granada, was captured by the Spanish in 1492 thus ending the Moorish Caliphate in Spain, the flourishing Arabic musical culture and the University and Music conservatory of Cordova. The Jews were also expelled from Spain in 1492 which does not seem to leave much time from the arrival of the Roma in Spain, to the end of the last Moorish enclave and the expulsion of the Jews for the Moorish and Jewish musical styles to have evolved in combination with that of the Roma and the Spanish Mozarabes (3) in Andalusia to form a new style of music.